Character Flaws: 10 Movie Examples and a List of 50 Flaws
Robert De Niro gained about 60 pounds to play Jake LaMotta in Raging Bull. Nicolas Cage played a man drinking himself to death in Leaving Las Vegas. Jack Nicholson played a novelist who insults everyone he meets in As Good as It Gets. All three won Best Actor, and all three played a man ruled by one flaw.
That’s no accident. Flawed characters are the ones we can’t stop watching. This guide covers what a character flaw is, the three types, 10 flawed movie characters and a list of 50 flaws you can use.
TL;DR: Flaws in Brief
A character flaw is a weakness that gets in a character’s way and hurts them or the people around them. Flaws can be minor, major or fatal. The best ones drive the story: the character either beats the flaw or falls to it.
What Is a Character Flaw?
A character flaw is a weakness that holds a character back from what they want. Merriam-Webster defines a flaw as “an imperfection or weakness and especially one that detracts from the whole or hinders effectiveness.” In a story, the flaw is what makes the character’s goal hard to reach, even when the plot isn’t in the way.
A flaw is a negative trait with a cost. Plenty of character traits are negative, like moody or sarcastic, without changing the story. A flaw does change it. Lightning McQueen’s arrogance loses him a race. Fred C. Dobbs’s greed gets him killed.
Writers also talk about character weaknesses and personality flaws. A weakness can be outside the character’s control, like a fear of heights. A flaw usually lives in their choices, which is why it’s so useful: the character can choose differently.
The 3 Types of Character Flaws
Most writers sort flaws into three types:
- Minor flaws are quirks that add color but don’t steer the story. Indiana Jones hates snakes. It makes for a great scene, but it doesn’t decide how Raiders of the Lost Ark ends.
- Major flaws shape the character’s choices and hurt them or others. Lightning McQueen’s arrogance drives the whole plot of Cars.
- Fatal flaws bring about the character’s downfall. The idea goes back to Aristotle’s Poetics, where the tragic hero falls through hamartia, an “error or frailty,” not through wickedness. In film, Fred C. Dobbs and Jake LaMotta both fall this way.

Every flaw on this list follows the same path. The character wants something, the flaw gets in the way, and the story puts them in a spot where they have to choose. What they choose is the ending.
10 Character Flaws Examples in Movies
These 10 character flaws examples count down from an arrogant race car to two proud, prejudiced people in Jane Austen’s England. Every entry names the flaw, what it costs and how the film did.
10) Cars (2006)
A rookie race car who thinks he can win alone gets stranded in a forgotten town on Route 66.

- Written by: Dan Fogelman, John Lasseter, Joe Ranft, Kiel Murray, Phil Lorin and Jorgen Klubien
- The character: Lightning McQueen
- The flaw: Arrogance
- What it costs him: His pit crew, a sure win and very nearly his shot at the Piston Cup
- The numbers: $120 million budget, $462 million worldwide, 2 Oscar nominations, no wins
- Steal it: Let the flaw cost your character the thing they want most in the very first act
Lightning McQueen, voiced by Owen Wilson, calls himself a “one-man show.” His pit crew quits during an interview. In the season’s last race he refuses new tires, blows them on the final lap and ends up in a three-way tie. On the way to the tiebreaker in California, he falls out of his hauler, tears up the main road of Radiator Springs and gets sentenced to repave it.
The town teaches him humility, and so does Doc Hudson, a forgotten racing legend voiced by Paul Newman. In the tiebreaker, when Chick Hicks wrecks The King, McQueen stops just short of the finish line and pushes The King across. He gives up the Piston Cup and wins something better. The film is dedicated to co-writer Joe Ranft, who died in a car crash before it was released.
9) Liar Liar (1997)
A lawyer who lies for a living is cursed to tell the truth for 24 hours.

- Written by: Paul Guay and Stephen Mazur
- The character: Fletcher Reede
- The flaw: Lying
- What it costs him: His son’s trust, and nearly his family
- The numbers: $45 million budget, $302.7 million worldwide, no Oscar nominations
- Steal it: Take the flaw away by force and watch your character fall apart without it
Fletcher, played by Jim Carrey, is a lawyer who breaks every promise he makes to his five-year-old son, Max. When he misses Max’s birthday party, Max wishes his dad couldn’t lie for one day, and the wish comes true. Fletcher’s whole life runs on lies, so the next 24 hours wreck him, starting with the big divorce case he’s in the middle of.
He wins the case anyway, on the truth, and then sees what the win will do to his client’s children. He objects to his own victory and ends up in jail for contempt. Then he races to the airport to stop Max and his ex-wife from moving away, and he’s hurt stopping the plane. The part was first thought of for Tom Hanks and Steve Martin.
8) Up in the Air (2009)
A man who fires people for a living, and lives out of a suitcase, finds out what all that distance has cost him.

- Written by: Jason Reitman and Sheldon Turner, from the novel by Walter Kirn
- The character: Ryan Bingham
- The flaw: Emotional detachment
- What it costs him: The one person he lets in
- The numbers: $25 million budget, $166.8 million worldwide, 6 Oscar nominations, no wins
- Steal it: Make your character’s flaw their whole philosophy, then show us the bill
Ryan, played by George Clooney, flies around the country firing people for companies too scared to do it themselves. On the side he gives talks telling audiences to empty their backpacks of possessions and relationships. His goal is ten million frequent flyer miles. A casual affair with another traveler, Alex, starts to change him.
He walks out of a speech in Las Vegas and flies to Chicago to surprise Alex, and finds her at home with her husband and children. She tells him he was an escape. He hits ten million miles on the way home, and it feels like nothing. Director Jason Reitman cast real people who’d recently lost their jobs, and 22 of them appear in the film.
7) Gran Torino (2008)
A bitter widower who hates his new neighbors ends up protecting them.

- Written by: Nick Schenk, from a story by Dave Johannson and Nick Schenk
- The character: Walt Kowalski
- The flaw: Bigotry and bitterness
- What it costs him: His family, and very nearly his chance to do one good thing
- The numbers: $25 million budget, $274.5 million worldwide, no Oscar nominations
- Steal it: Give your flawed character one person they can’t help but care about
The film opens at the funeral of Walt’s wife. Walt, played by Clint Eastwood, is a Korean War veteran and retired Ford worker who sneers at his own sons, the young priest and the Hmong family next door. When a local gang pressures his teenage neighbor, Thao, into trying to steal Walt’s 1972 Gran Torino, Walt nearly shoots him.
Slowly, Walt grows closer to Thao and his sister Sue than to his own family. When the gang attacks Sue, Walt locks Thao in his basement so he can’t take revenge, and goes to face the gang alone and unarmed. He reaches into his jacket for his lighter, and they shoot him dead in front of witnesses. Most of the Hmong cast had never acted before.
6) The Treasure of the Sierra Madre (1948)
Three broke Americans strike gold in the Mexican mountains, and one of them can’t stop counting.

- Written by: John Huston, from the novel by B. Traven
- The character: Fred C. Dobbs
- The flaw: Greed, and the paranoia that comes with it
- What it costs him: His partners, the gold and his life
- The numbers: About $2.5 to $3 million budget, about $4.1 million in Warner Bros. earnings, 4 Oscar nominations, 3 wins
- Steal it: Let your character get exactly what they want, then let the flaw take it away
Dobbs, played by Humphrey Bogart, is broke in Tampico when he teams up with a younger man, Curtin, and an old prospector, Howard. They find gold. The more they dig up, the more Dobbs suspects his partners want his share. When Howard leaves to help a village, Dobbs and Curtin turn on each other, and one night Dobbs shoots Curtin and takes all the gold.
Curtin survives. Dobbs doesn’t. Bandits kill him at a waterhole, think the gold dust is sand and dump it, and the wind blows it back into the mountains. Walter Huston won Best Supporting Actor as Howard, and his son John won Best Director and Best Screenplay. Bogart wasn’t nominated.
5) Leaving Las Vegas (1995)
A screenwriter who has lost everything goes to Las Vegas to drink himself to death.

- Written by: Mike Figgis, from the novel by John O’Brien
- The character: Ben Sanderson
- The flaw: Addiction, a fatal flaw
- What it costs him: Everything, including the one person who loves him
- The numbers: About $4 million budget, $49.8 million worldwide, 4 Oscar nominations, 1 win
- Steal it: If your character won’t change, let someone else’s love show us what it costs
Ben, played by Nicolas Cage, is an alcoholic Hollywood screenwriter who has lost his family. When he’s fired, he burns his belongings and drives to Las Vegas. There he meets Sera, played by Elisabeth Shue, and they make a pact: she will never ask him to stop drinking.
Ben keeps his promise to himself, and it wrecks everything between them. Sera throws him out, then comes back when he calls, and he dies soon after. It’s the bleakest film on this list, and it doesn’t pretend the flaw can be fixed. The film was shot on Super 16mm in 28 days on a small budget, and Cage won Best Actor.
4) As Good as It Gets (1997)
A romance novelist who’s cruel to everyone starts falling for the only waitress who’ll serve him.

- Written by: Mark Andrus and James L. Brooks, from a story by Mark Andrus
- The character: Melvin Udall
- The flaw: Cruelty, used as armor
- What it costs him: Every chance at connection, until he starts to change
- The numbers: $50 million budget, $314.1 million worldwide, 7 Oscar nominations, 2 wins
- Steal it: Give your character one line that shows the person under the flaw
Melvin, played by Jack Nicholson, is a best-selling romance novelist who insults everyone he meets. In the first scene he drops his neighbor’s dog down the garbage chute. When his neighbor Simon is beaten in a robbery, Melvin is stuck looking after the dog, and he grows attached. He pays for the medical care of Carol’s sick son, so she’ll come back to work at his diner.
On a road trip to Baltimore, Carol asks for a compliment, and Melvin gives her the best one of her life: “You make me want to be a better man.” Then his mouth wrecks the evening again. By the end he has started to change, one step at a time. Nicholson won Best Actor, and Helen Hunt won Best Actress as Carol.
The Big Short is one of my all-time favorite movies, and almost nobody in it is easy to like.
Mark Baum is angry at everyone. The people on screen are flawed, rude and hard to be around.
And they’re right. That’s why I can’t look away.
3) Raging Bull (1980)
A middleweight champion fights his way to the top, then loses everyone he loves outside the ring.

- Written by: Paul Schrader and Mardik Martin, from the memoir by Jake LaMotta with Joseph Carter and Peter Savage
- The character: Jake LaMotta
- The flaw: Jealousy and rage
- What it costs him: His wife, his brother and his title
- The numbers: $18 million budget, $23.4 million in the US, 8 Oscar nominations, 2 wins
- Steal it: Let your character’s flaw win them the fight and lose them the life
Jake, played by Robert De Niro, is a boxer whose jealousy has no limit. He batters an opponent his wife, Vickie, innocently called good-looking. He becomes convinced she’s cheating, even with his brother Joey, attacks Joey in front of his family and knocks Vickie down.
He wins the middleweight title and loses it. By the end he’s overweight, divorced and jailed, beating his head against a cell wall. The film closes in a dressing room, where he recites “I coulda been a contender” to a mirror. De Niro gained about 60 pounds for the later scenes. He won Best Actor, and Thelma Schoonmaker won for editing.
2) The Conversation (1974)
A surveillance expert who records other people’s secrets can’t stand anyone knowing his own.

- Written by: Francis Ford Coppola
- The character: Harry Caul
- The flaw: Paranoia and secrecy
- What it costs him: The truth, his peace of mind and, in the end, his home
- The numbers: $1.6 million budget, $4.8 million in the US, 3 Oscar nominations, no wins
- Steal it: Make your character’s flaw the reason they get the facts wrong
Harry, played by Gene Hackman, is the best surveillance man in San Francisco, and he guards his own privacy like a vault. He’s furious that his landlord has a key. Haunted by an old job that got people killed, he records a young couple in Union Square and hears a line that convinces him they’ll be murdered.
He tries to protect them and gets it backwards. He has misheard the stress on a single word in the tape, and the couple were the killers all along. Then he learns he’s being bugged himself. He tears his apartment apart looking for the device, finds nothing, and sits in the wreckage playing his saxophone. It won the Palme d’Or and lost Best Picture to Coppola’s own The Godfather Part II.
1) Pride & Prejudice (2005)
A sharp-tongued young woman and a proud rich man misjudge each other, then have to admit it.

- Written by: Deborah Moggach, from the novel by Jane Austen
- The characters: Elizabeth Bennet and Mr. Darcy
- The flaws: Her prejudice and his pride
- What it costs them: Very nearly each other
- The numbers: $28 million budget, $121.1 million worldwide, 4 Oscar nominations, no wins
- Steal it: Give both leads a flaw, and make each one the cure for the other’s
At a country dance, Elizabeth, played by Keira Knightley, overhears Mr. Darcy, played by Matthew Macfadyen, being rude about her. She decides on the spot that he’s proud and unpleasant, then readily believes a charming officer, Wickham, when he says Darcy cheated him. When Darcy proposes, he spends half the proposal on how far beneath him her family is. She turns him down.
His letter tells her the truth about Wickham, and she sees her own prejudice. He sees his pride. When Wickham runs off with her youngest sister, Darcy quietly fixes it, and the second proposal comes at dawn. It’s the purest example of flaws driving a story, because the flaws are in the title, and both characters beat theirs. Joe Wright made it as his first feature.
Every film on this list runs on its flaw. Here’s how they did.

Leaving Las Vegas turned about $4 million into nearly $50 million, the biggest return here. Gran Torino made 11 times its budget. Raging Bull had the smallest return, a little more than its budget in the US, and is now one of the most acclaimed films on the list.

Eight of the 10 films earned Oscar nominations. Three of the men on this list won Best Actor for playing a flawed character: De Niro, Cage and Nicholson.
A List of 50 Character Flaws
Here’s a character flaws list you can use, grouped by how the flaw shows up: in how a character treats others, how they handle their feelings, and what they’re willing to do.
Social Flaws
| Flaw | What it means |
|---|---|
| Arrogance | Believes they’re better than everyone |
| Rudeness | Ignores basic manners and courtesy |
| Bigotry | Hostile to people of other groups |
| Prejudice | Judges people before knowing the facts |
| Selfishness | Puts their own wants first |
| Manipulation | Uses tricks and pressure to steer people |
| Controlling | Must run everything and everyone |
| Tactlessness | Blurts hurtful things without thinking |
| Gossiping | Spreads other people’s private business |
| Misanthropy | Dislikes people in general |
| Disloyalty | Abandons friends when it suits them |
| Ingratitude | Takes kindness for granted |
| Neediness | Demands constant attention and reassurance |
| Bullying | Intimidates people weaker than them |
| Unreliability | Breaks promises and plans |
| Competitiveness | Must win, even at others’ expense |
| Vanity | Obsessed with their own looks and image |
Emotional Flaws
| Flaw | What it means |
|---|---|
| Jealousy | Fears losing someone’s love to a rival |
| Envy | Resents what other people have |
| Hot temper | Explodes at small provocations |
| Bitterness | Nurses old hurts and grudges |
| Paranoia | Believes others are plotting against them |
| Insecurity | Constantly doubts their own worth |
| Emotional detachment | Avoids closeness and deep feelings |
| Impatience | Can’t stand waiting |
| Impulsiveness | Acts first, thinks later |
| Anxiety | Worries constantly about what could go wrong |
| Self-pity | Wallows in their own misfortune |
| Perfectionism | Nothing is ever good enough |
| Obsessiveness | Fixates on one person or idea |
| Addiction | Can’t quit a harmful habit |
| Defensiveness | Treats every criticism as an attack |
| Stubbornness | Refuses to change their mind |
| Indecisiveness | Can’t commit to a choice |
Moral Flaws
| Flaw | What it means |
|---|---|
| Greed | Always wants more money or things |
| Lying | Habitually bends or hides the truth |
| Cruelty | Enjoys causing others pain |
| Callousness | Doesn’t care who gets hurt |
| Hypocrisy | Preaches what they don’t practice |
| Hubris | Thinks rules and limits don’t apply to them |
| Infidelity | Cheats on a partner |
| Cheating | Breaks the rules to win |
| Corruption | Abuses power for personal gain |
| Vengefulness | Pursues payback at any cost |
| Ruthlessness | Lets nothing stand in their way |
| Entitlement | Expects special treatment without earning it |
| Fanaticism | Follows a cause past reason or mercy |
| Stinginess | Hates to share or spend |
| Laziness | Dodges effort and responsibility |
| Cowardice | Abandons what’s right when it’s risky |
How to Write a Flawed Character
A flaw only works if the story makes it matter. Here’s how to make yours count:
- Tie the flaw to what they want. McQueen wants to win, and his arrogance is what stops him. Ryan wants freedom, and his detachment is what leaves him alone.
- Show the flaw early and make it cost something. Melvin drops a dog down a garbage chute in the first scene. We know exactly who he is.
- Decide whether they beat it or fall to it. Elizabeth and Darcy beat theirs. Dobbs and LaMotta don’t. Either ending works, but it has to be earned. Our guide to the character arc covers both, and our guide to internal conflict shows how a flaw fights the character from the inside.
Audiences forgive a lot. They’ll follow a liar, a bully or a drunk for two hours.
What they won’t forgive is a character who never pays for it.
Let the flaw cost something real, and the audience will stay with them to the end.
FAQs About Character Flaws
What Is the Biggest Character Flaw?
There’s no single answer, but the classic one is pride, or hubris: the belief that the rules don’t apply to you. It’s the flaw most often linked with the heroes of Greek tragedy, and pride is traditionally ranked the worst of the seven deadly sins, the one the others grow from.
Can a Flaw Be a Strength?
Yes. Many flaws are strengths pushed too far. Harry Caul’s paranoia is what makes him the best in his trade, and McQueen’s arrogance comes from the same drive that makes him fast. Our Trait Flip diagram shows how a good trait turns into a flaw.
The Final Cut on Character Flaws
A character flaw is the weakness that stands between a character and what they want. Minor flaws add color, major flaws drive the plot and fatal flaws end it. The best flawed characters either beat their flaw or fall to it, and either way, we can’t look away.
What’s the flaw at the heart of the character you’re writing? And does your story make them pay for it?
For more on building characters, see our guides to character traits, the anti-hero and character development.
Jay Neill
Jay Neill is the founder and managing editor of iFILMthings and believes everyone should have access to the film resources they need to plan their filmmaking project, which is why he’s dedicated iFILMthings to helping all filmmakers.
